Sinden, Tony
Tony Sinden. Born: 1943, Brighton, Sussex Died: 18 July 2009, Island of Sifnos.
Tony Sinden was an artist who began independently to make short experimental films in 1966. Subsequently he went on to produce several films funded by The British Film Institute and Arts Council of England. His practice in the 1970’s embraced a conceptual approach to film and video and wide-ranging debates of contemporary art. He was one of the first artists in the UK to exhibit film, video and installation in the gallery context. Including the ICA, Serpentine and Hayward Gallery; Arnolfini Gallery, Bristol and Third Eye Centre, Glasgow.
Sinden explored the moving image in relationship to issues of contemporary art and the environment of exhibition: opening up space for reflection and interaction, between the work and spectator.
Tony exhibited widely during his career, including installations at the San Francisco Museum of Modern Art; Berkeley Museum and Pacific Film Archive; South Bank Centre, London; Assembly Rooms, Edinburgh, sites in Kyoto, Kobe and Art Tower Mito, Japan; Durham Cathedral; Canary Wharf Tower, London; Forest of Dean Sculpture Park; Lux Gallery; Whitechapel Art Gallery; and The Bloomberg Space, London.
“Sinden’s practice has spanned three decades of substantial production, experiment and exhibition. He has worked across mediums, looped film installation, and various expanded media, i.e. slide, light, sound, video within architectonic space. Sinden was a founder member of Housewatch with artists Ian Bourn, Alison Winckle, George Saxon, Lulu Quinn, and Stan Steele making site related installations with performance, film and video.” – J.Hatfield
Tony Sinden collaborated with David Hall in the early to late 70’s participating in inaugural shows such as 1975: ‘The Video Show’, Serpentine Gallery with 101 TV Sets. Hall and Sinden collaborated on the 16mm films of 1972/3, ‘This Surface, Edge, Between, Actor and View’. This collaboration developed out of him earlier assisting David Hall in the production of Hall’s TV Interruptions for STV in late 1971. He taught at Maidstone College of Art from 1971 to 1980. Sinden’s practice spanned three decades of substantial production, experiment and exhibition. He has worked across mediums: single screen 16mm, expanded 16mm, video, installation, slide and site related. Sinden has produced a consistent body of work throughout his career and is considered an important artist in his field.
Updated June 2022
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Interview of Tony Sinden
View the interview transcript here
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Exhibitions:
1968-69
Brighton Arts Festival (Fringe)1969
‘Review’ BBC TV Arts Programme
1969-77
NFT London1969-75
Oberhausen1970
Brighton Film Theatre1971,73,76
Edinburgh1972
Survey of the Avant-Garde in Britain, Gallery House, London1973-75
ICA London1973
NFT,ICA 1st and 2nd International Festivals of Avant-Garde Film
5th International Experimental Film Festival, Knokke Heist, Belgium
1st Festival of British Independent Film, Bristol
Millennium New York1974
Tate Gallery1975
International Festival of Expanded Cinema
ICA Expanded Cinema
Bristol and Open Cinema
The Video Show, Serpentine Gallery1976
Perspectives on British Avant-Garde Film, Hayward Gallery, London
Artists Video, The Galleries, Washington, Tyne and Weir
Third Eye Centre, Glasgow
Brighton Experimental Media1977
Alforni Gallery, Bristol
Chicago Film Festival, USA
Museum of Modern Art, NY, USA
Canne Film Festival
Arsonal, Berlin
Hayward Gallery, London
Third Eye Gallery, Glasgow, Scotland
International Kunstemesse, Vienna, Austria
Paris Filmakers Co-op, France1978
NFT, London1979
Biddick Farm Arts Centre, Washington, UK
Serpentine Gallery, London
South Hill Park Arts Centre, Braknell1980
Paris Biennale
Paris Film-makers co-op, France
Mostra International, Funchal, Madeira
Mixage, Rotterdam, Holland1981
San Francisco Art Institute, USA1981,82
Cinemateque, San Francisco, USA1983
Berkeley Museum, Berkeley, USA1984
Camerawork Gallery, London1985
Housewatch Event, East London1986
Housewatch tour, 3 sites, London1987
Housewatch, Assembly Rooms, Edinburgh1988
Housewatch, Brighton Festival
Housewatch, Bath International Arts Festival1990
London School of Furniture Gallery
Wounded Knee, Housewatch event, Whitechapel Open, London
Chair Wired for Light & Hat Goes in a Spin, London Guildhall Gallery1992
Paper House, Housewatch touring video installation, Art Tower Mito Xebec Hall Kobe & Museum of Kyto, Japan
Imaginary Opera, Housewatch event with Steve Martland, 4th International Contemporary Music Forum, Kyoto, Japan
Deceleration/Desire & Acceleration/Arrest,Undercroft, Queen Elizabeth Hall, South Bank, London
Contra-flow, Housewatch live work, Broadgate Estate Public art exhibitions, Liverpool St, London1993
Nobodies: about face, video installation, Castle Park Public Art Site, Bristol
Nobodies: about face, MOMI, South Bank, London1994
Fallow Field: Flux, mixed media installation with Lulu Quinn & Stan Steele, Royal Festival Hall, South Bank, London
18 Hands High, live event commission for ‘The Great Outdoors’, South Bank Exhibitions, London
Imaginary Opera, ‘Meltdown’, Royal Festival Hall, South Bank, London
Ancestral Voices, St Nicholas Church Crypt, Bristol1995
Approaching the Dissolve, Durham Cathedral1996
Turbulance, video triptych, Whitechapel Gallery, London
Fallow Field: Flux, East London Gallery, London1997
Conservatory, Housewatch Installation for opening of Lux Centre, London
Revolver, film and architectural projection with Ian Bourn, Canary Wharf, London1998
Deluge: in audio-visual space, solo exhibition of three video installations, Artsway Gallery, New Forest, Hampshire
Installations by Tony Sinden, Ives Hall Columbus University Arts and Architecture, Columbus Ohio, USA1999
Triptychs and Mirror Landscapes, Video Pieces by Tony Sinden 1992-1999, Yerba Buena Centre for the Arts, San Francisco; and Berkeley Museum and Pacific Film Archive, California
Screening of films and recent video work at Cinematheque, San Francisco Art Institute, California.2001
Live in Your Head, Whitechapel, London
Fountainhead, Video triptych, Light Shift, Forest of Dean Sculpture Park
Size M, BFI Production (1969) NFT, South Bank, London
Retrospective screening of early BFI Production experimental films by Tony Sinden (1968-1976), Alforni Gallery, Bristol
Recent Multiple Image Work by Tony Sinden, The Lux Centre, London2010
Tony Sinden: early works
Date: 03 July – 07 August
Location: Picture This Studio, BristolPicture This presents the exhibition Tony Sinden: early works as a starting point from which to appraise the practice of an artist who was key to developments in both artists’ film, expanded cinema and – critically – site specific and large scale multimedia installations.
Tony Sinden is increasingly considered a prominent figure within the development of British moving image – producing a body of innovative work throughout his career until his premature death in 2009. Sinden’s practice spanned four decades of substantial production, experiment and exhibition. He worked across a range of mediums: single screen 16mm, expanded 16mm, video, installation, slide and site related practices. His works reflect a sculptural use of video and questions of media, materials, time and space.
Picture This has a very special relationship with Tony Sinden, commissioning him to produce new works (Ancestral Voices 1993 and Dichotomy 2000) and working with him on his projects for almost fifteen years.
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Videography:
1979
Size M 16mm Film colour 12 mins1974
60 TV Sets, installation with David Hall, Gallery House, London
Rotatory1975
101 TV Sets, installation with David Hall, The Video Show, Serpentine Gallery, London
Video Self Portraits1975/76
Behold Vertical Devices, 9 monitors, Third Eye Gallery
Time/up-stairs, installation for gallery staircase, Brighton Open Studios Gallery1976
Light Sensitive1976-77
Gallery Walls1977
Vacant Possession
Black/Surface Motion
Drift Guitars / Swing Guitars
Fabulous Silence
Functional Action 1,2 & 3 (with David Cunningham)1978
Aspects Of..
Chairs1980
Whose afraid of Black & White
San Francisco/London
Chair Space
Museum Cabinet1981
Space Between/Space Beyond
Chair, Mop & Bucket1982
American Chairs1983
Plus/Minus1983-84
From Caligari to the Shadow of 19841984
Roman Fence1985
Up, Down Dancing Dog (Housewatch)1986
Pedestrian Colours (Housewatch)1987
Chair Wired for Light/Hat Goes into a Spin (Housewatch)1988
Pedestrian Colours II (Housewatch)1989
Video: Roman Portraits (3 screen installation)1990
Deceleration/Desire (Housewatch)1992
Contra-flow
Little Big Horn
Acceleration/Arrest (Housewatch)
Paper House
Turbulence
Imaginary Opera (Collaboration)1993
Nobodies: About Face (16 screen installation)1994
Ancestral Voices
Fallow Field (collaboration with Lulu Quinn and Stan Steel, Royal Festival Hall)1995
Approaching the Dissolve (3 screen installation at Durham Cathedral)1996
Turbulence II (3 screen installation at Whitechapel Open)1997
Fountainhead I (3 screen)
Conservatory (Housewatch)1998
Deluge: in audio-visual space, ArtSway,
High Force Descending (2 screen)
Terrestrial Stream (7 screen)2000
Dichotomy2002
Fountainhead2003
Everything Must Go, exhibited in ArtSway, Hampshire2010
Tony Sinden: early works
Date: 03 July – 07 August
Location: Picture This Studio, Bristol -
Artist works:
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Artist assets:
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Quotes:
"Tony Sinden was perhaps the individual artist who did most in the UK to establish the moving image as an expected feature in the gallery during 80s (the era before the YBA's 'discovered' video). For his series of film, still-image and video exhibitions at the ACME gallery, the ICA, the Arnolfini and the Hayward Annual, he made works that cleverly choreographed different moving and still elements in architectural space, often playing witty perceptual games with the viewer. Humour was almost always an element in his work, though in his late spectacular landscape-based installations he displayed his profound awareness of human folly and mortality".
David Curtis"Tony Sinden has been making moving image installations since the 1970s, using film and video. His Cool Room shows a filmed white gallery space in which Sinden is seen moving various objects around and carefully placing them in the space. The three objects that appear in the video are also seen in front of the projected screen, the chair, the ladder and the tennis ball. The viewer is asked to consider the various layerings, phenomological and representational, that occurs when moving image work is shown in the gallery."
Adam Kossoff"Tony Sinden is increasingly considered a prominent figure within the development of British moving image - producing a body of innovative work throughout his career until his premature death in 2009. Sinden's practice spanned four decades of substantial production, experiment and exhibition. He worked across a range of mediums: single screen 16mm, expanded 16mm, video, installation, slide and site related practices. His works reflect a sculptural use of video and questions of media, materials, time and space. Picture This has a very special relationship with Tony Sinden, commissioning him to produce new works (Ancestral Voices 1993 and Dichotomy 2000) and working with him on his projects for almost fifteen years. He worked across mediums, looped film installation, and various expanded media, i.e. light, sound, video within architectonic space, single screen 16mm, expanded 16mm, video, installation, slide and site related. His works reflect a sculptural use of video and questions of media, materials, time and space. Producing a consistent body of work throughout his career Tony Sinden can be considered an important artist in his field.
-'Tony Sinden, Bristol'
The late artist's quietly groundbreaking Behold, Vertical Devices, a sculpture involving nine strategically placed TV sets, goes on show as part of a retrospective of his 1970s work at Bristol's Picture This gallery. On until 7 August 2010 Photograph: Courtesy of the artist and Picture This
Guardian Exhibitionist: The week's art shows in pictures, 9 June 2010