Week 1: 13 April

 

JL Williams

1

A friend says

She is reading a funny book

I reply I’m reading

The saddest book I can find

To make the world

 

Seem

Less sad

In comparison

 

2

Wasn’t it always inevitable

Grandma would ask if we’d brought you

To the font for the ritual drenching

 

A kind of blessing

 

The virus gives us

A little time, a little more time

 

Before we have to face

The open mouth of the lily

The white rubber tendrils

Aching with golden pollen

 

3

We hold you

There is no one else to do it

We hold you and we’ll go on holding you

We’ll go on holding you

We’ll go on holding you

 

 

 

 

Tessa Berring responds to JL Williams

Objects Not In Space

 

1)

 

I deleted it 

because nothing

 

matters

It’s easy to delete

 

and say

nothing matters

 

to gesture to a crocus

and say how very orange

 

to gesture to an eye

and say hey love

 

2)

 

Hey love!

 

what am I saying?

 

(who am I talking to?)

 

the waterfall I dreamed of

was the foamiest ever waterfall

 

the tornado through my body

was hard won

 

3)

 

Do you know what I mean?

 

tornado

 

the loneliness of glass

The pretence

of some excitement

 

to keep up

 

with oh whatever

 

 

 

 

 

Jane Goldman responds to JL Williams

 

1.

i-i find myself reaching for ovid 

for the loves and for the art of love

 

for the love of a palliative pun

for the love of a chancy number

 

2.

today hand-made 

a spring card

from my girlfriend

in hospital

with covid

and cancer

 

her reply to 

my whatsapp

close-up photo

of a fat bee

in a pink 

blossom

 

3.

i-i place her

pencilled house 

held here 

in simple lines

two felt flowers

in blue green

and yellow

on the mantle

beside the pink

head of hygeia

and the blue

of aphrodite

 

 

 

 

Lynn Davidson responds to JL Williams

Walking to the Hoover Dam in February 2020

(recalled in April 2020)


It just feels

like an age since we

walked through tunnels

to the Hoover Dam.


Well we didn’t walk to, we walked towards –

turning back before the actual dam. I

felt scared of it myself, just one small word

with all that water banked up behind. 


We liked the hillsides

with their rocks and splashes of clean light.


The mountains were pink and dun and violet.


Lake Mead – old sand-maps tattering on its surface –

diverting water into Mexico, Arizona, Nevada, California.


It all seems built so long ago, as though the dam and

reservoir were made, like land, at some beginning

time. Before America. But really

in the Great Depression. 


What will we build now?


Or take down 

–      dismantle


Or be holding, holding

holding






Georgi Gill responds to JL Williams


Day 29

My work is with the living,

sick but alive.

We’ve been suspended 

for months? A year?

We’re too sick to say.

Instead, I work

with the dead.

A side project

that used to be

more fun.


Day 31

I can’t read poetry now,

even beautiful words

spun into taut lines

by friends.

bee  crocus     Colorado

The words weigh heavy,

gravel in my mouth.

I’m sorry. 

I just can’t make sense

of beauty or of sense

itself.


Day 34

I keep sounding

out words

but all my books

are about death.

Why didn’t I notice before?

Foucault opens up a few corpses

but all that feels

 – forgive me –

too close to the bone.

I turn to Patricia Highsmith’s

murder victims for light relief.






Alice Tarbuck responds to JL Williams


Bring me armfuls of roses and tell me the right decision

I am trying to do what is right and I am trying not to let

my body ruin itself against the rocks of everything bad,

of loneliness. It isn’t the right shape, my feet say, my socks

say no to shoes. I want to touch my face to every object

that ever existed, dirt on the high cheekbones, dirt

on the lips. I want to thank all the babies who will not know

what any of this felt like, this felted, green-baized inflict

of quietness, when i am at the crest of seeking noise.






Rachel McCrum responds to Tessa Berring (writing 6 May 2020, recalling 12 & 13 March 2020)


Now I’ve forgotten

what it is to want to want


to stagger home punchdrunk

quivering and greedy

because we can


On the last night – when we half-knew what was coming –

we went to eat Ethiopian food at the Queen Sheba

feeling unsure of ourselves but wanting it

illicit ill-advised the last thing the last we promised

wanting to push our fingers into our mouths

the bitter cool sponge of injera curled in our palms

the deep red of berbere lamb stuck in under our nails

till we rolled back home guilty, excited, sated,

to close the doors behind us


and the night before even that had danced

in an empty coral ballroom

like it was the end of the world

and I couldn’t half-stop

myself from half-kissing everyone

half-peacocking my half-naked

breasts out at the half-world

half-mad with joy and tension and vodka

because we could we had to

these unsure measures

this one foot in and one foot out still

shake it shake it shake it


and then there were no more last things

then there was no more anything

and we shut our mouths and tried to forget

tried not to half-dream of full desire