Week 1: 13 April
JL Williams
1
A friend says
She is reading a funny book
I reply I’m reading
The saddest book I can find
To make the world
Seem
Less sad
In comparison
2
Wasn’t it always inevitable
Grandma would ask if we’d brought you
To the font for the ritual drenching
A kind of blessing
The virus gives us
A little time, a little more time
Before we have to face
The open mouth of the lily
The white rubber tendrils
Aching with golden pollen
3
We hold you
There is no one else to do it
We hold you and we’ll go on holding you
We’ll go on holding you
We’ll go on holding you
Tessa Berring responds to JL Williams
Objects Not In Space
1)
I deleted it
because nothing
matters
It’s easy to delete
and say
nothing matters
to gesture to a crocus
and say how very orange
to gesture to an eye
and say hey love
2)
Hey love!
what am I saying?
(who am I talking to?)
the waterfall I dreamed of
was the foamiest ever waterfall
the tornado through my body
was hard won
3)
Do you know what I mean?
tornado
the loneliness of glass
The pretence
of some excitement
to keep up
with oh whatever
Jane Goldman responds to JL Williams
1.
i-i find myself reaching for ovid
for the loves and for the art of love
for the love of a palliative pun
for the love of a chancy number
2.
today hand-made
a spring card
from my girlfriend
in hospital
with covid
and cancer
her reply to
my whatsapp
close-up photo
of a fat bee
in a pink
blossom
3.
i-i place her
pencilled house
held here
in simple lines
two felt flowers
in blue green
and yellow
on the mantle
beside the pink
head of hygeia
and the blue
of aphrodite
Lynn Davidson responds to JL Williams
Walking to the Hoover Dam in February 2020
(recalled in April 2020)
It just feels
like an age since we
walked through tunnels
to the Hoover Dam.
Well we didn’t walk to, we walked towards –
turning back before the actual dam. I
felt scared of it myself, just one small word
with all that water banked up behind.
We liked the hillsides
with their rocks and splashes of clean light.
The mountains were pink and dun and violet.
Lake Mead – old sand-maps tattering on its surface –
diverting water into Mexico, Arizona, Nevada, California.
It all seems built so long ago, as though the dam and
reservoir were made, like land, at some beginning
time. Before America. But really
in the Great Depression.
What will we build now?
Or take down
– dismantle
Or be holding, holding
holding
Georgi Gill responds to JL Williams
Day 29
My work is with the living,
sick but alive.
We’ve been suspended
for months? A year?
We’re too sick to say.
Instead, I work
with the dead.
A side project
that used to be
more fun.
Day 31
I can’t read poetry now,
even beautiful words
spun into taut lines
by friends.
bee crocus Colorado
The words weigh heavy,
gravel in my mouth.
I’m sorry.
I just can’t make sense
of beauty or of sense
itself.
Day 34
I keep sounding
out words
but all my books
are about death.
Why didn’t I notice before?
Foucault opens up a few corpses
but all that feels
– forgive me –
too close to the bone.
I turn to Patricia Highsmith’s
murder victims for light relief.
Alice Tarbuck responds to JL Williams
Bring me armfuls of roses and tell me the right decision
I am trying to do what is right and I am trying not to let
my body ruin itself against the rocks of everything bad,
of loneliness. It isn’t the right shape, my feet say, my socks
say no to shoes. I want to touch my face to every object
that ever existed, dirt on the high cheekbones, dirt
on the lips. I want to thank all the babies who will not know
what any of this felt like, this felted, green-baized inflict
of quietness, when i am at the crest of seeking noise.
Rachel McCrum responds to Tessa Berring (writing 6 May 2020, recalling 12 & 13 March 2020)
Now I’ve forgotten
what it is to want to want
to stagger home punchdrunk
quivering and greedy
because we can
On the last night – when we half-knew what was coming –
we went to eat Ethiopian food at the Queen Sheba
feeling unsure of ourselves but wanting it
illicit ill-advised the last thing the last we promised
wanting to push our fingers into our mouths
the bitter cool sponge of injera curled in our palms
the deep red of berbere lamb stuck in under our nails
till we rolled back home guilty, excited, sated,
to close the doors behind us
and the night before even that had danced
in an empty coral ballroom
like it was the end of the world
and I couldn’t half-stop
myself from half-kissing everyone
half-peacocking my half-naked
breasts out at the half-world
half-mad with joy and tension and vodka
because we could we had to
these unsure measures
this one foot in and one foot out still
shake it shake it shake it
and then there were no more last things
then there was no more anything
and we shut our mouths and tried to forget
tried not to half-dream of full desire