The Slave’s Lament at the National Galleries of Scotland
Graham Fagen. The Slave’s Lament, 2015 Four-channel colour video installation, with sound, 14 min. 27 sec.
Now on display as part of the landmark exhibition spanning 110 years titled New Arrivals: From Salvador Dalí to Jenny Saville 27 November 2021 – spring 2023 at the Scottish National Gallery of Modern Art (Modern One) 75 Belford Road, Edinburgh, EH4 3DR
Ghetto Priest and the Scottish Ensemble perform The Slave’s Lament, composed by Sally Beamish, produced by Adrian Sherwood with additional guitars by Skip “Little Axe” McDonald and drums by Lincoln “Style” Scott.
A song credited to Robert Burns and first published in James Johnson’s Scots Musical Museum in 1792.
Made for Scotland + Venice 2015, curated by Hospitalfield.
The work was kindly gifted to the National Galleries of Scotland by Outset UK.
Consuming Black History from Ackee to Pepperpot Soup
Join Dr. Peggy Brunache for a tasting evening which takes attendees on a historical and archaeological journey through the evolution of Caribbean Creole cuisine. Taste the samples and discover how food can reveal changes and continuities in the lifestyles and cultures of those affected by the transatlantic slave trade.
FREE but booking required:
Saturday 26 October 5-8pm
University of Dundee
Dalhousie Building
Room 2F15.
Organised by BARD- Black Atlantic Research Dundee
Sponsored by Equality and Diversity Unit, University of Dundee
Sponsored by Scottish Centre for Global History, University of Dundee
A song credited to Robert Burns and first published in James Johnson’s Scots Musical Museum in 1792.
Made for Scotland + Venice 2015, curated by Hospitalfield.
The work was kindly gifted to the National Galleries of Scotland by Outset UK.